Leni《极权制造：莱妮·瑞芬斯塔尔的一生》(ISBN=9780307387752) 2025 chm pdf kindle rb azw3 下载 115盘

　　Leni Riefenstahl, the woman known as “Hitler’s filmmaker,”

made some of the greatest and most innovative documentaries ever

made. They are also insidious glorifications of Adolf Hitler and

the Third Reich. Now, Steven Bach reveals the truths and lies

behind Riefenstahl’s lifelong self-vindication as an apolitical

artist who claimed to know nothing of the Holocaust and denied her

complicity with the criminal regime she both used and

sanctified.

A riveting and illuminating biography of one of the most

fascinating and controversial personalities of the twentieth

century.

Prologue

Part One B E R LlN

One Metropolis

Two Debuts

Three Climbing

Four Higher

Five Above the Clouds

Six TheBlueLight

Part Two ASC ENT

Seven Lightning

Ezght The Turning Point

Nine Total Devotion

Ten Triumph

Eleven The Olympic Idea

Twelve Tomorrow the Wbrld

Part Three A FT E RMATH

Thirteen Leni at War

Fourteen Goodbye to All That

F,fieen Pariah

Sixteen Survivor

Seventeen Comeback

Eighteen Fortune and Men’s Eyes

Nineteen The Last Picture Show(s)

Twenty Afterlife

Acknowledgments

Notes

Bibliography

Index

　　Steven Bach is the author of two previous biographies, Marlene

Dietrich: Life and Legend and Dazzler: The Life and Times of Moss

Hart. He was in charge of worldwide production for United Artists,

where he was involved in such films as Raging Bull, Manhattan, The

French Lieutenant's Woman, and Heaven's Gate, about which he wrote

the bestseller Final Cut. He teaches at Bennington College and

Columbia University and divides his time between New England and

Europe.

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齐格弗里德·克拉考尔：不成熟与对山脉的迷恋是一样的，都是反理性主义的的征兆，也是纳粹主义得以发际的资本。

高山电影的大师——往往被称为它的“父亲”——是阿诺德·范克博士，他也是《命运山脉》的导演。

不成熟与对山脉的迷恋是一样的，都是反理性主义的征兆，也是纳粹得以发迹的资本

我要成为一个名声显赫的人

只要我活着，就不会让自己依附于任何一个人。我的决定必须是我自己的。因为唯一重要的是我自己的意愿

1923，货币的面值达到十亿，而到11月危机达到巅峰的时候竟然达到了万亿，那时四万二千亿马克相当于一美元

她还可以随意地微笑、哭泣和坚持。

书籍介绍

Leni Riefenstahl, the woman known as “Hitler’s filmmaker,” made some of the greatest and most innovative documentaries ever made. They are also insidious glorifications of Adolf Hitler and the Third Reich. Now, Steven Bach reveals the truths and lies behind Riefenstahl’s lifelong self-vindication as an apolitical artist who claimed to know nothing of the Holocaust and denied her complicity with the criminal regime she both used and sanctified.

A riveting and illuminating biography of one of the most fascinating and controversial personalities of the twentieth century.