Piero della Francesca（9788884910233） 2025 chm pdf kindle rb azw3 下载 115盘

　　PierodellaFrancescahaslongbeenadmiredasoneofthegreatestofallRenaissancepainters.Mucharchivalandtechnicalworkhasbeendoneconcerninghimandhiswork(includingtherestorationofhisgreatfrescocycleinArezzoandofmanyofhisotherpaintingsandfrescoes).CarloBertelli,presentsbothasynthesisofrecentdocumentaryandscientificresearchandthereflectionsofhisownlifetime'sstudyofPiero'swork.Thebookincorporatesafull-scalebiographyoftheartist,whichlocatesPiero'sworkinrelationtothatofhiscontemporaries,andgoesontoanalyzeeachofhissurvivingpaintings.Itconcludeswithafullcatalogueofhisworks,andisillustratedincolourthroughoutwithreproductionsofthenewlyrestoredpanelsandfrescoes.

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　　"Bertelli's densely reasoned monographic study of the early Renaissance master Piero della Francesca proffers a plethora of provocative but not equally compelling insights into the artist's life, work, and style. Not only has he convincingly reconstructed Piero's probable peregrinations, the plausible chronology of his paintings, and their manifold sources and stylistic links, but he also provides a wealth of significant insights into crucial masterpieces and the painter's writings on mathematics and perspective. A comprehensive but far from exhaustive catalog of the surviving paintings helps round out the text's lacunae. An excellent complement to Bertelli's work is Ronald Lightbown's Piero della Francesca ( LJ 7/92). While scholars will need to ponder the somewhat divergent conclusions of both authors, general readers are better served by Lightbown's engaged evocation of the works themselves and by his coherent arguments and lucid prose."

　　--Robert Cahn, Fashion Inst. of Technology,Library Journal,New York

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Piero della Francesca has long been admired as one of the greatest of all Renaissance painters. Much archival and technical work has been done concerning him and his work (including the restoration of his great fresco cycle in Arezzo and of many of his other paintings and frescoes). Carlo Bertelli, presents both a synthesis of recent documentary and scientific research and the reflections of his own lifetime's study of Piero's work. The book incorporates a full-scale biography of the artist, which locates Piero's work in relation to that of his contemporaries, and goes on to analyze each of his surviving paintings. It concludes with a full catalogue of his works, and is illustrated in colour throughout with reproductions of the newly restored panels and frescoes.