The Cambridge Companion to Mendelssohn（ISBN=9780521533423） 英文原版 2025 chm pdf kindle rb azw3 下载 115盘

　　The Companion to Mendelssohn, is written by leading scholars

in the field. In fourteen chapters they explore the life, work, and

reception of a composer-performer once thought uniquely untroubled

in life and art alike, but who is now broadly understood as one of

the nineteenth century's most deeply problematic musical figures.

The first section of the volume considers issues of biography, with

chapters dedicated to Mendelssohn's role in the emergence of

Europe's modern musical institutions, to the persistent tensions of

his German-Jewish identity, and to his close but enigmatic

relationship with his gifted older sister, Fanny. The following

nine essays survey Mendelssohn's expansive and multi-faceted

musical output, marked as it was by successes in almost every

contemporary musical genre outside of opera. The volume's two

closing essays confront, in turn, the turbulent course of

Mendelssohn's posthumous reception and some of the challenges his

music continues to pose for modern performers.

Introduction: Mendelssohn as border-dweller Peter

Mercer-Taylor

Part I. Issues in Biography: 1. Mendelssohn and the institution(s)

of German art music Peter Mercer-Taylor

2. Mendelssohn and Judaism Michael P. Steinberg

3. Felix and Fanny: gender, biography, and history Marian

Wilson-Kimber

Part II. Situating the Compositions: 4. Mendelssohn and the rise of

musical historicism James Garratt

5. Mendelssohn as progressive Greg Vitercik

Part III. Profiles of the Music: 6. Symphony and Overture Douglass

Seaton

7. The works for solo instrument(s) and orchestra Steve

Lindeman

8. Mendelssohn's chamber music Thomas Schmidt-Beste

9. The music for keyboard Glenn Stanley

10. On Mendelssohn's sacred music, real and imaginary R. Larry

Todd

11. Mendelssohn's songs Susan Youens

12. Felix Mendelssohn's dramatic compositions: from Liederspiel to

Lorelei Monika Hennemann

Part IV. Reception and Performance: 13. Mendelssohn received John

Michael Cooper

14. Wagner as Mendelssohn: reversing habits and reclaiming meaning

in the performance of Mendelssohn's music for orchestra and chorus

Leon Botstein.

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