LUCIO FONTANA AMBIENTI SPAZIALI（9788857214290） 2025 chm pdf kindle rb azw3 下载 115盘

　　ThearchaeologicaldiscoveriesofEgypt,thedevelopmentalstagesinunderstandingEgyptiancivilisation,andthereconstructionofthehistoryofthePharaohsthroughoriginalandunpublisheddocuments.ThisrichlyillustratedpublicationpresentsthereconstructionofthehistoryofthePharaohsandtheirpeoplethroughoriginaldocumentsandobservationsbysomeofthemostfamousEgyptologistsofthepresentandthepast.TheauthorstracethehistoryofthespreadofthemythofEgyptandthebirthofEgyptologyanddescribethegreatestarchaeologicaldiscoveriesbetweenthefirstdecadesofthenineteenthcenturyandthoseoftheearlytwentiethcentury,tothegoldofTutankhamenandthesilverofthePharaohsofTanis.AlargesectionofthebookretracesthehistoryofthefirstphotographersinEgypt,thefirstaerialphotographs,photographicexperimentationandthespreadofphotographictechniquesappliedtoarchaeology.AhighlyuniquechapterisdedicatedtoEgyptsluckinmodernculture:frompaintingtothedecorativearts,tosatireandthespreadofEgyptomaniaintwentieth-centurymagazines.Thepublicationalsocontainsaglimpseintothefuture:computerapplicationsandmodernmethodsforpreservingthearchival,photographicandbibliographicheritage.AmustforenthusiastsofancientEgyptandthehistoryofEgyptology,butalsoapublicationforcollectors,bibliophilesandthoseinterestedintheantiquephotographyandhistoryofculture.

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　　Germano Celant was senior curator of contemporary art at the Solomon R. Guggenheim Museum in New York from 1989 to 2008. Internationally known for his writings on Arte Povera, in 1987 he received the Frank Jewett Mather Award. He has been a contributing editor at Artforum since 1977 and at Interview since 1991. Among his books: Anselm Kiefer: Salt of the Earth (Skira, 2012); Louise Bourgeois: The Fabric Works (Skira, 2011); Piero Manzoni (Skira, 2009), among many others. 

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书籍介绍

For the first time in the US, Lucio Fontana: Environments presents a substantial number of the spatial environments conceived by the artist between 1948 and 1968, works that can be regarded as forerunners of the environments created by figures such as Allan Kaprow and Robert Irwin and the light art of the likes of Dan Flavin and Bruce Nauman.

Six environments are included in the exhibition: Spatial Environment in Black Light, 1948-49, first shown at the Galleria del Naviglio, Milan, in 1949; the Neon Structure for the 9th Milan Triennale, 1951, created for the grand staircase of the Palazzo dell'Arte in Milan; Chandelier, 1959-60, executed for the Cinema Duse in Pesaro; Spatial Environment, 1967, realized for the exhibition Lo spazio dell'immagine at Foligno in 1967; Spatial Environment, 1967, mounted for the first time at the Galleria del Deposito, Genoa; and Spatial Environment at Documenta 4, Kassel, 1968.

This group of works represents a fundamental contribution to the interpretation of the work of Lucio Fontana, aimed at opening up "another," metaphysical space beyond the canvas.

The environments are both the natural conclusion of his opening up of space through holes and cuts and the basic key to its understanding, not just in painting and sculpture, but in architecture too.

In order to introduce and illustrate this particular aspect of Fontana's production in the most effective way possible, the book starts out from a little further back in time, including works dating from between 1931 and 1968 and reproducing all the works in the exhibition, comprising drawings, sketches, environments, sculptures and paintings.