Reel to Real 从电影到现实 ISBN9780415964807 2025 chm pdf kindle rb azw3 下载 115盘

Hooks's essays on film are not film criticism: they are criticism of culture as viewed through the prism of film. This mix of theory, reality, popular art and popular criticism (reviews and public reaction play a large part in her discussions) is effective in forcing a rethinking of the films in question. A reading of reviews of Exotica shows that only the strip-joint portions of the movie were considered worthy of commentary. Quentin Tarantino?a filmmaker "not afraid to publicly pimp his wares"?is taken to task for ingesting superficial aspects of black culture and spitting out the rest. The "mock feminism" of Waiting to Exhale ("an utterly boring show") is exposed as hooks examines differences between the book and the movie. The essays that do not focus on a single film are equally successful: a discussion of the black female gaze recalls that slaves could be punished for looking, and another on representations of black masculinity notes that in movies with two male leads, one black and one white, such as Rising Sun, the white man plays the "father" role. The essays could have benefited from more thoughtful organization. Hooks refers to her first-ever film-related essay, on Spike Lee's She's Gotta Have It, in her introduction and elsewhere, but the essay does not appear until the final pages of the book. A piece on the accountability of filmmakers that involves Wayne Wang would have matched up nicely with a dialogue with Wang, which instead is sandwiched in a group of interviews with Arthur Jaffa, Camille Billops and the like.

1 Introduction: Making Movie Magic

2 Good Girls Look the Other Way

3 Transgression and Transformation: Leaving Las Vegas

4 Exotica: Breaking Down to Break Through

5 Crooklyn: The Denial of Death

6 Cool Cynicism: Pulp Fiction

7 Mock Feminism: Waitingto Exhale

8 Kids:Transgressive Subject Matter--Reactionary Film

9 Artistic Integrity: Race and Accountability

10 Neo-Colonial Fantasies of Conquest: Hoop Dreams

11 Doing it for Daddy: Black Masculinity in the Mainstream

12 Thinking Through Class: Paying Attention to The Attendant

13 Back to the Avant-Garde: The Progressive Vision

14 What's Passion Got to Do With It? An Interview with Marie-France Alderman

15 The Cultural Mix: An Interview with Wayne Wang

16 Confession--Filming Family: An Interview with Artist and Filmmaker Camille Billops

17 A Guiding Light: An Interview with Charles Burnett

18 Critical Contestations: A Conversation with A. J. (Arthur JaVa)

19 The Oppositional Gaze: Black Female Spectators

20 Is Paris Burning?

21 "Whose Pussy Is This?" A Feminist Comment

INDEX

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